Sunday, July 31, 2011

Parc Monceau and the Musée Jacquemart André

We actually did this walk on Saturday afternoon, but today we are taking a rest from all the walking so I thought I'd post it today.  Our walk started off at the Rue Poncelet, a little market that had some high-end goods for sale, like foie gras, caviar, and crab legs.






Of course there were the typical fruit stands as well.



The produce looked fabulous.  We bought a carton of raspberries and they were deliciously sweet and not too tart.



We then walked up Rue des Renaudes and got a great view of the Cathédrale St. Alexandre Nevsky, a Russian-Orthodox church.



The church was completed in 1861.  Pablo Picasso married Olga Khokhlova here in 1918.




The Rue Daru is the heart of the small Russian quarter.  The sign for this shop was written in  French and Russian/Cyrillic.  Down the street, another shop had a matryoshka nesting doll as part of its logo.



Around the corner is one of the lovely gated entrances to the Parc Monceau.



I love coming to this park and people watching.  You are allowed to sit on the grassy areas and lots of people come here on their lunch break if it's a nice day.  Today we saw people lounging, exercising, and even painting.



We chose to eat lunch on a bench across from this incredible flower bed.  What a beautiful day!



This is the carousel, near the north entrance to the park.



Today there were pony rides for the kids as well.



There are several Belle Epoque monuments to French writers and musicians; this one is dedicated to Guy de Maupassant, accompanied by a fashionably-dressed Muse.



Some romantic century "ruins" (follies created just for the park) provide charming photo-ops:




From the park we ambled leisurely along until we arrived at the Musée Jacquemart-André, a gorgeous mansion, sumptuously decorated and chock-full of antiquities and art.


Edouard André married socialite Nélie Jacquemart and they spent part of each year in Italy, collecting priceless artworks which they used to decorate their home in Paris.  After Edouard died, Nélie continued to acquire pieces from Italy and the orient until her death, when the house and everything in it was bequeathed to the Institut de France as a museum, which opened in 1913.

Edouard André in military dress, by Franz-Xavier Winterhalter


I will warn you that my photos don't really do this place justice; for "perfect" photos of every room, visit the very informative main website.  We don't always do the audio tour at museums but it really came in handy here, since there is just so much to see. 



The Salon des Peintures was beautifully decorated with portraits and priceless paintings.



I liked the way they illuminated the busts in the Grand Salon, where the Andrés received their guests at formal functions.  This bust of the architect Jacques Gabriel by Antoine Coysevox was exceptionally striking; I think it's the hair.



The Salon des Tapisseries had lavish tapestries hanging on the walls, such as this Beauvais tapestry.




The Cabinet de Travail (work room) had some exceptional pieces, such as this Les Débuts du Modèle (The Model's Debut) by Jean-Honoré Fragonard (center)...



... and this ceiling by the Venetian painter Giambattista Tiepolo, called l'Apothéose d'Hercule.




In the Boudoir was this gorgeous Élisabeth Vigée Le Brun, the Portrait of Countess Catherine Skavronskaia.



The library contained an incredible collection of Dutch masters...



...including Rembrandt's Portrait of Doctor Arnold Tholinx.



The music room was enormous, with moveable walls to accommodate large parties and dancing.



The ceiling of the room was open to the 2nd floor, with its frescoed ceiling.



Bored yet?  If so, skip to the next post, since it's all about rollercoasters and amusement park rides.  Otherwise, let's continue with the tour to the Winter Garden and its ornate marble staircase....


...topped by another Tiepolo fresco.


The Andrés were very serious collectors of Italian (specifically Venetian) art, and the entire 2nd floor of the museum is dedicated to these priceless Renaissance paintings, sculptures, and antiquities.


Of particular note in the Florentine Salon was the St. George and the Dragon from the mid-1400's by Paolo Uccello....


...and this Virgin and Child from the 1470's by Sandro Botticelli (center).


I had never heard of the artist Carlo Crivelli, but the lines and colors in these portraits of various saints (painted in the late 1400's) were as vibrant as if they were painted yesterday.


In Nélie Jacquemart-André's bedroom, we got a small peek into her personal life.


An amateur painter herself, it's no wonder she was such a passionate collector of art.

Center painting on easel is by N. Jacquemart-André

Exhausted and a little overwhelmed, we left the museum and finished up our walk at the Church of Saint Philippe du Roule.  It's notable because it was designed in the late 1700's by the architect Jean Chalgrin, who also designed Napoleon's Arc de Triomphe.


We did not spend much time in the church, but I thought the semicircular nave and columns was pretty, and very different from the gothic churches we've been seeing. 

Saturday, July 30, 2011

Versailles Part 5: Les Grandes Eaux Nocturnes

Since we were just here yesterday, finding the Château from the RER train station was a breeze.  We expected crowds and a long wait to purchase tickets, but were pleasantly surprised by short lines and lots of ticket kiosks.


We broke the rules by bringing a picnic (expressly forbidden according to the verbage in our map handouts).


But we weren't the only ones, so we didn't feel too bad.


In the post yesterday I mentioned the river-themed sculptures on the Parterre d'Eau (Water Terrace).  Well, here is another one, representing the River Saône.


Sunset illuminating the palace taken from the southern angle...



....and from the other side.



Here is a view of the Orangerie; they had just turned on the lights in the garden.



Numerous attempts to catch the "perfect shot" of the setting sun were unsuccessful.  This is the best one of the bunch.


The gardens opened right at 9pm.  Bubbles floated on the air as we descended the steps.



We walked to the northern section of the garden, towards the Dragon Fountain.  We could see loads of spectators gathering in the Neptune Basin (background)...


...but we ignored that to take photos of the Dragon Fountain.  That was a mistake...


...because we soon realized that the Neptune fountain only runs at 9:15 and 9:30pm.  Despite literally running (okay...jogging) to try to catch the tail end of the 9:30 show, we ended up missing all but the last 30 seconds.  This is a shot of the fountains winding down to a trickle...just 10 seconds before there were 40 jets of water shooting at least 50 feet into the air.


Three Fountains Grove was our next stop, but it was very crowded with people still spilling out of the Neptune Basin spectacle.  There was a fog machine making a cool smoky effect.



The narrow staircases at the Three Fountains were a bit of a bottleneck for all the people, but at least the fountains were lovely to look at.


The Apollo's Baths Grove offered a little more breathing room, and a chance to set up the tripod.  Of course an attendant asked us to put the tripod away, since they are not allowed during the Grandes Eaux shows.


But we did get at least one in-focus shot of the grotto, so it was worth it.



The Bosquet de l'Encelade had a fountain with music and multicolored lighting.



There was no show in the Bosquet de Domes, but the statues were beautifully illuminated.



There was a very impressive display set to music at the Bassin du Char d'Apollon.



The Girandole grove also had a light show, but we got there just at the end.  It was not easy to walk around the entire garden to try to see everything in just a 2-hour time frame.  Even at a fairly fast clip, we know we missed quite a few things.


The sculpted shrubs looked beautiful when backlit.


Even the statues take on a different appearance at night.  Here is a day and night shot of the same statue:


The Colonnade had an eerie green laser and fog display.



Strangely-shaped lanterns lined some of the walkways.


The Bassin du Mirroir had a beautifully choreographed show to Rambeau's Naïs overture; one of our favorites of the night.




And then it was time to make our way back up to the terrace to find a place to watch the fireworks.  This is a shot across the Royal Pathway/Tapis Vert (Green Carpet).



The Feu d'Artifice (fireworks) show kicked off at 11:05 with some shooting stars.


The whole display was set to music and really well coordinated.




On the ground along the Royal Pathway, there were fire jets that were synchronized to the music.


Some more shots of the show, with a collage of the finale.





Here is a video we shot of the finale



The fireworks display was not very long, only 15 minutes.  It ended at 11:20, leaving us plenty of time to walk to the train station and catch our 11:50 train back to Paris after a fabulous evening.