From there we explored some of the galleries we didn't see on our previous visits. Scantily clad people seemed to be the order of the day.
Grande Odalisque by Jean Auguste Dominque Ingres |
Venus de Milo |
Remember this guy from our walk along the Promenade Plantée?
I tried to hold back from taking too many photos of specific pieces of art. Instead I tried to capture an overall impression of the museum galleries.
Italian renaissance paintings |
large-format French paintings |
Northern Europe late gothic sculpture |
Italian sculpture |
Greek antiquities |
View down into the central sculpture court |
Something people always say is "Remember to look UP when you're in the Louvre". So I made sure to do that from time to time as well...
In direct contrast was the Pompidou Center (to me, anyway). The escalator runs along just one side of the building. This is the main pathway to get to all the floors. On a crowded day like today, there are considerable traffic issues when there are a lot of people coming down and someone who is going up (on the outside lane) needs to cross over into the museum space.
But then again, the plexiglass walls of the escalator do give a great view towards the northwest of Paris.
My other main complaint was that there wasn't really a good "flow" from one exhibit room to the next...we found ourselves walking back through rooms we had already seen to get to new areas. It's almost as if the designers focused more on how the building would look from the outside than how it would work as a museum. Anyway, the classic modern "greats" were very well-represented, including Braque, Miró, Dalí , Kandinsky, Matisse, and Picasso.
Top right: Henri Matisse Pink and White Head, bottom right: Pablo Picasso Portrait of Young Girl |
Other pieces that I found interesting were this (perhaps?) couch, this reworked chain-link fence, this out-of-focus-on-purpose painting, and this...well, whatever this is.
Clockwise from left: V. Panton Siége, Demakersvan Panneau Lace Fence, M. Fornes *Y/Struc/Surf., B. Frize Oma |
Here are three works by Yves Klein. Amazingly, his monochromatic paintings have sold for multi-millions. This gives me a serious case of "Uhhh...I can do that".
Don't be deceived, Mimmo Paladino's Elmo has nothing to do with the popular Sesame Street character.
Some of the art just seemed very pretentious. Definitely do not touch the oversize croquet pegs leaning against the wall. Stay behind the black line on the floor, please.
André Cadere Six Round Wooden Sticks |
Allan McCollum's Plaster Surrogates 1985 |
This looks like something you might see at a Home Depot or Mr. Bricolage:
Marthe Wéry Peinture Venise 82 |
And this one just looks like a kindergarten geography/craft lesson gone awry:
Thomas Hirschhorn Outgrowth 2005 |
I'm sure it all comes down to personal preference...art is very subjective. For me, it's enough to call it art if it looks like the artist at least put a little creative effort into the work. Painting/arranging boards, hanging blacked-out picture frames, and papier mâché-ing a bunch of globes seems to me a bit like phoning it in.
But...one of the very nice things about the Pompidou Center is the view from the roof terrace. It was early evening and a little overcast but we could still make out Sacré Coeur.
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