Sunday, April 19, 2026

Kanazawa - Geishas, Gardens, and Samurai

From Tokyo we traveled by Shinkansen train to the city of Kanazawa, the capital of Ishikawa prefecture. There is a lot here to like. Because Kanazawa did not have any significant military targets, it was spared from Allied bombing during WWII. As a result, it has some very well-preserved Geisha and Samurai districts, which really set it apart as a cultural destination.  


Kanazawa is also Japan’s gold-leaf production center. They’ll slap gold leaf on just about anything—statues, tea sets, decorative plates, even gilded golf balls are a popular souvenir here. Something else that is unique is that you can get a gold-leaf to coat your ice cream cone. The sheet of gold leaf is edible, although why anyone would want to eat it I can’t guess. Regular ice cream for me, please!


On our first night here, we decided to just walk around and get our bearings. Our hotel is very near most of the main attractions, so we started by checking out the Oyama Shrine. 


This shrine was originally built someplace else in 1599 in honor of Maeda Toshiie but was moved to its current location in 1873. Its main gate is very different from other shrines. Built in 1875 it uses stained glass in the upper story windows and combines Japanese, Chinese, and European architecture. You can see the European-style tower framed by the torii gate in this photo. 


From the shrine we walked to the nearby castle gardens. 


We didn’t bother paying for admission to the castle because there isn’t really a castle there yet! The stronghold of the Maeda family for fourteen generations, the main structure has burned down several times over the centuries. When the residential part burned down again in 1881 it was just never rebuilt. Until now -— the palace is currently being reconstructed. Ground was broken last year to rebuild the heart of the castle, the Ni-no-maru palace. They began by constructing an enormous tent covering so that work can continue through the winter and rainy seasons. But as of today, the tent just covers a big empty space. Nothing to see here!


Most of the castle’s watchtowers, gates, and storehouses have already been rebuilt or restored, so at least we were able to see those and imagine what the larger castle complex would be like. 


These are the doors at the castle's Ishikawa Gate, which is considered to be an original part of the castle, not a reconstruction. It's one of Japan's "Important Cultural Properties" although technically it really isn't original. The actual original gate burned down in a fire and this one was rebuilt in 1788, but I guess being 240 years old is original enough. 


The castle grounds are particularly beautiful at sunset. If you squint, the reconstructed Hashizume-mon Gate in the distance does look at least a little bit like a castle, right? 


During the Edo period, the Maeda clan grew very wealthy thanks to rice production on the lands they owned. Their wealth and prestige made them a potential rival to the Tokugawa clan, who were the rulers at that time. Back in those days, the Shogun kept the daimyo lords in check by ensuring that they could not gather too much power in their domains. Buildings in daimyo possession could only be three stories high maximum, and it was treasonous for Lord Maeda to build fortifications in case he used them to rise up against the shogun. But Maeda Toshiune was clever. In 1643 he moved the Myouryuji Temple in Kanazawa a short distance from his castle. Under the guise of moving it, he redesigned it with hidden staircases, spyholes, pitfall traps, a paper staircase where his guards could stab any intruders, and a well with a built-in escape tunnel halfway down the well shaft. Nowadays it has the nickname of “The Ninja Temple” due to all the tricky design features. It’s quite a building and we booked a guided tour to see all the hidden features (no photos, of course, too bad!). From the outside you would think it was just any ordinary temple. 


We are surprised that there still seem to be several varieties of cherry trees that are still in full bloom. This one with the double blossoms is called Kanzan or Sekiyama. It might just be my favorite type of cherry blossom. (Who am I kidding? They are all my favorites!)


After the “Ninja” temple, we walked around the Nishi Chaya Geisha district. This is one of three Geisha entertainment districts in Kanazawa. The buildings here are charming, and there are several traditional geisha tea houses, while other buildings are preserved as museums. 


We stopped into the Nishi-Chaya Museum. It was free to enter and staffed by local community volunteers. The second floor of the museum showed what a Geisha tearoom/entertainment room might’ve looked like, with a low table for serving tea and sake, and musical instruments for performances. 


We spent the rest of the afternoon at the sensational Kenrokuen Garden. This is one of Japan’s three treasured gardens and it is very deserving of that status. One of the symbols of this garden is the Kotoji two-legged lantern. There was a little bit of a queue to take photos of the lake with the lantern. 


But this atmospheric stone pagoda at the top of a moss-covered hill? No line!


The Kenrokuen Garden has over 1000 pine trees that have been meticulously hand-sculpted annually for over 200 years. Each autumn, teams of gardeners pluck off old pine needles from the branches by hand. Then they cut off any unnecessary branches to give the pines the desired dramatic shape. But when winter comes, these manipulated branches are prone to breaking under the heavy snow. So from November to March the gardeners erect large rope structures called yukisuri that take the weight of the snow instead of the trees. It’s very labor intensive, but the artistic silhouettes of these trees give the garden a refined and very Japanese aesthetic. (Note the pileup of Sakura "confetti" -- fallen petals from the cherry blossoms caught against the bridge.)


It was just a stunning and expansive garden. We spent a few hours there and could have happily stayed longer and had tea in one of the tea houses, or just sat on one of the benches and spent more time admiring the skill and effort it takes to maintain a garden of this scope and size. 


But we had to go back to the hotel and get cleaned up for an evening of Geisha entertainment at the Kaikaro Tea House. This tea house is in Kanazawa’s Higashi Chaya district (“higashi” means “east” and “chaya” means “tea”). Geisha districts are also known as “hanamachi” or flower towns because flowers symbolize the beauty and artistry of the Geisha. The scattered districts that exist in just a few Japanese cities (Kyoto, Kanazawa, Niigata, and a few others) are all that remain of a once vibrant cultural tradition of professional entertainers skilled in music, dancing, conversation, and serving traditional food and drink. (Contrary to popular belief, geisha are not courtesans.) In the 1920s there were nearly 80,000 professional geisha across all of Japan. Now there are maybe 1000, with the majority located in Kyoto. 


Kanazawa has about three dozen Geisha that are still working today at various tea houses in the city. The Kaikaro Tea House is the largest and oldest one in town, built about 200 years ago. For the past eleven years, Kaikaro has hosted an evening show for tourists, to educate them about the Geisha tradition and give them a better understanding of this traditional form of Japanese hospitality. The emcee for the “Geisha Evenings” is the tea house’s charismatic landlady, Lady Baba. 


Lady Baba is not a Geisha herself, but as the landlady she knows all the details about the inner workings of the Geisha world. Throughout the evening she described, in English, how dressing and applying makeup takes each geisha over an hour. (The hair takes less time because they wear a wig.) The makeup is white because in Edo times that acted as a natural spotlight since lighting was dim and there was no electricity. We were glad we live in a time with electric lighting because our seats were pretty far from the stage. 


The two Geisha entertainers performed several dances and pieces of traditional music on ozaishiki daiko drums and shamisen (a three-stringed guitar). It takes several years of apprenticeship to become a Geisha, and even once they’ve become a full-fledged Geisha they continue to spend hours daily learning etiquette, practicing instruments, dancing, singing, and learning to prepare tea in the proper way. It’s a lifelong commitment; Lady Baba said that the oldest working Geisha in Kanazawa is 93 years old—there is no retirement age or pension. 


The show ended with a couple of audience participation games. Lady Baba called up volunteers from the audience. One was just calling up anyone who wanted to try playing the daiko drum. But the other one was a sake drinking game set to music played at an increasing tempo, called “Konpire Funefune”. It was similar to rock, paper, scissors. If you don’t keep the rhythm or you do “rock” when you’re supposed to do “paper”, you lose and have to take a drink. Such a fun way to end the show! I thought the whole performance was both educational and entertaining, and it was a great way to spend an evening in Kanazawa!


Saturday morning we spent a few hours wandering around the Nagamachi Samurai District. 


One of the properties you can visit was the former site of a samurai home - the Nomura-ke Residence. 


It was packed with tour groups inside the house but the garden was very pretty and had a pond full of huge koi. 


Something I found interesting was this box in an alcove of the home. In Edo times there was no radio. So to hear music you would’ve needed a musician on staff to play you a song. Or the cheaper option was to just keep a songbird in a box, usually a Japanese warbler (uguisu) or a finch (jushimai). 


After leaving the crowded samurai house we noticed a little sign on a house across the street that said “Senda-ke Garden”. Admission was about the same price as the samurai house but there were fewer people inside. Maybe the tour groups don’t have it on the itinerary. Anyway, it was a very lovely garden. And —surprise! — it was ALSO once the residence of a former samurai, Norifume Senda. 


We went through the home and into the garden where we met a man giving tours in excellent English of his former home. He is the great-grandson of Norifume Senda. He said that he and his family used to live in the traditional house but it got too cold in winter. So he built a modern home next door and opened the old family home as a museum and garden. 


He talked about the various features of the garden and how they have done everything possible to keep it the way his great grandfather designed it. One of the only differences between the current garden and the 1918 photo is the size of the pine trees (which are pruned into the same way as the ones in Kenrokuen). 


We enjoyed walking around the narrow lanes of the samurai district. 


This is one of the best-preserved places in Japan if you want to imagine what daily life was like for the warrior class during the Edo era. A very pleasant way to spend a morning and a little less commercial than the Geisha districts or area around the castle. 


We were getting hungry so we headed over to Omicho market for lunch. 


This place is a combination of fish market, daily food market, and prepared foods that you can eat at the stalls. The first spot we went to served sushi. But I had to chuckle when they brought it to the table— thick slabs of rice with merely the thinnest possible slice of fish on top. Profit margins are high at this place, but at least the beers were cheap!


Kevin wanted to try oysters from one of the other stalls so I took a chance and ordered a grilled scallop. We only ordered one of each but the servings were huge and it tasted very fresh!


We made the rounds of a few minor museums after lunch. I’ve always been curious about whether we should go to a Noh theatrical performance while we’re here, but it’s been my understanding that the plays are long and almost incomprehensible for Westerners who aren’t versed in the culture. Instead we went to Kanazawa’s Noh museum, where we got to view costumes and masks and even see a few video clips of various shows. And it confirmed for me that we should probably continue to say “no” to seeing a Noh performance in person. 


The 21st Century Museum of Art was right next door so we gave it a chance. And we were reminded once again that we don’t love modern art. The most interesting exhibit was an artist who created some props so that people could contort their bodies into the same poses as professional soccer photos. Very niche and weird. 


Kanazawa is known for having excellent seafood, so in addition to the shellfish we tried at the Omicho Market, Kevin also found a restaurant specializing in Nogoduro (Blackthroat Sea Perch). The buttery fat content of this oceanic white fish makes it a highly sought after and sort-of-expensive-but-worth-it meal. 


Kevin ordered a sashimi-style rice bowl, while I ordered my fish grilled. Both were excellent and the fish just melted in your mouth. A great meal to end our stay in this charming town. 



Thursday, April 16, 2026

Domo Arigato Tokyo!

After spending some time up in Nikko, it was only appropriate that we head over to the Edo-Tokyo Museum to learn even more about the Tokugawa Edo era and what life was like during that time. We learned that in the Japanese feudal system the shogun was the military dictator who ruled over the daimyo (regional lords) and was served by an elite warrior class, known as samurai. It really wasn't such a different system to the kings, lords, and knights in Europe during the time. The museum has some excellent examples of samurai armor. 


Transportation during the Edo period was primitive, but people did manage to go long distances either on horseback or using a palanquin called a kago, carried on the shoulders of two to four men. With all the restaurant meals we’ve been eating, in my case I might need more like six strong men to carry me. 


The Edo-Tokyo museum has models both big and small that show daily life. I was fascinated by the variety of figurines. I wonder if the miniaturist team over at Small Worlds had a part in putting together these models. 


They have full-size examples of homes and shops that you can go inside. It’s a pretty great museum for understanding the Edo as well as the Meiji Era and the post-WWII reconstruction period. They even have a full-scale model of the Nakamura-za Kabuki Theater that you can walk through. 


On Saturday we headed to a very nice museum right near our apartment - the Tokyo Metropolitan Teien Art Museum. This museum is actually the former residence of Prince Asaka Yasuhiko and his wife Princess Nobuko (the daughter of Emperor Meiji). In the 1930s the Prince, who had spent the 1920s in the US and France, had this lavish home built in the Art Deco style. Decorative Lalique glasswork was evident in every room - like the "Bucharest" chandeliers in the salon. 


The Teien museum has a really nice garden, but next door is the more wilderness-focused Institute for Nature Study. Located on the grounds of the former estate of an Edo-era Daimyo Lord, this garden has more than 200 plant species, including a few wild irises.


We grabbed lunch from a wonderful supermarket across the street (did I mention that Japan supermarkets have amazing deli departments?) and ate it in Donguri Park (another park in the Shirokanedai neighborhood). The gardening department at this park has quite a talent for eye-catching floral displays in the flower beds.


Sunday we had kind of a rough day in Ginza. It seemed like everything we tried to do that afternoon ended up being not quite what we'd hoped. We had read some good things about an eight-floor restaurant and entertainment venue called Grand Hammer, so we tried to go there for lunch. When we got there, it looked cool but it was completely empty. We tried every floor and some were pitch black with the lights turned off. I guess they weren't expecting a lunch crowd. Even though the first floor "yokicho" restaurant was open and the decorations looked cool, we decided to go elsewhere for lunch.


In contrast to the Grand Hammer restaurant, the flagship Itoya Stationery store was quite busy. I mean - it's a stationery store, how exciting could it be? Well it was completely packed to the gills with shoppers. I mean like panic-inducing packed. With escalators taking you up, up, up but only a staircase to get you back down. And when we tried to hop in the elevator it was packed with strollers. My knee was very unhappy after the slow descent down five flights. I was too overwhelmed to take any photos inside the store, but I'll substitute this image from the Edo museum of a matsuri festival parade. That is what the Itoya store was like. So. Many. People.


We then walked over to the Imperial Hotel, as Kevin had read something about the hotel bar being associated with Frank Lloyd Wright. Well it turns out that one version of the hotel was designed by Frank Lloyd Wright and that building existed from 1922 to 1967. The current hotel is noticeably more 1970s in aesthetic. There was a model of Wright’s version and you could definitely see the hand of the architect in the design. It was very remniscent of the Biltmore Hotel in Phoenix. Unfortunately despite surviving the Kanto Earthquake and World War II, it was demolished in 1967 to make way for a larger structure with more rooms. The decision was controversial at the time, but the old FLW building just didn't meet the needs of a modern hotel in such a big and popular city.


Only two Frank Lloyd Wright touches are still visible in the new hotel’s bar -- a wooden screen behind the bar and this mural behind Kevin. When we first sat down, we felt maybe a little underdressed as it was kind of a fancy level of service. But we got big smiles from the waitstaff when we mentioned we lived near Taliesin West in Scottsdale and our waiter brought over a book showing original photos of what the hotel and bar used to look like. 


After lunch we headed over to the Seiko Museum, which was a pretty good museum for what we paid (it was free). It told the full history of one of the most prestigious Japanese brands. The founder Kintaro Hattori started a watch repair company in 1881 at the age of 21. He then had to completely start over from scratch when everything was destroyed during the fires that swept through Tokyo in the Great Kanto Earthquake. While rebuilding he decided he would develop his own line of precision timepieces — out of the ashes, the Seiko brand was born. In the photo below, you can see pocket watches fused together from the heat of the fires that burned down the original workshop. 


But even the Seiko museum is still not a very exciting museum unless you’re really into watches. Bottom line: we discovered that maybe we should just avoid Ginza on a Sunday.


On Monday I finally went and saw a local physical therapist for my knee. Good news is that it’s not a meniscus or ligament injury. It’s just an overuse issue. (Surprise, surprise—you tend to use your knees a lot when you’re walking 8 miles a day!) Problem is we still have several weeks to go so a lot of walking is unavoidable. Where’s that kago or a rickshaw when you need it? After the PT visit, we walked over to the Mori gallery to see a fun exhibit about Sanrio, the company that produced Hello Kitty. Just like at the Imperial Bar, we also felt a bit underdressed there as we had not packed any kawaii outfits or strawberry-themed clothes.


Monday evening, Kevin made us a reservation at Hacienda del Cielo, a Mexican restaurant in nearby Daikanyama that has an amazing rooftop bar. We got there just in time for sunset.


The food and service was excellent. And we had a phenomenal view of the city lights coming up as it got dark.


Don’t worry, even though it seems like we are only going to Mexican restaurants, we have been dining at plenty of actual Japanese restaurants too! For lunch on Tuesday we went to Ginza Steak Ebisu, a teppanyaki restaurant. 


The course menu that we chose was all-you-can eat marbled Wagyu beef. Although we didn't speak the same language, the chef used pictures to show us what cuts of beef he was serving, and he had a good chuckle at my attempts to compliment him in Japanese "Ryori jozu des" ("Cooking you are skilled"). Those Rocket Japanese audio lessons are really paying off!


We are finishing up our list of “must see” museum exhibits so after lunch we headed over to the Nezu Museum for an exhibit featuring Ogata Korin's iris screens. Korin painted these folding screens (clusters of deep purple irises on a gold-leaf background) in the early 1700s but he used a surprisingly modern style. The irises are just bright spots of violet atop simple green stems, with almost no other details or embellishment. These screens are a National Treasure of Japan, and this style of painting later influenced artists like Vincent Van Gogh. No photos were allowed inside but I think the signage pretty much captured what the artwork looked like.


Once again, we did not time our visit ideally. A patch of the Nezu Museum's garden is dedicated to a field of purple irises (no doubt intended to coincide with the Korin Irises exhibit). But not a single one was blooming yet — just my luck!


But wait! What’s that I see in the sea of green? Wisteria! Finally — wish granted! Maybe my luck really is about to change!


On our last day in Tokyo, we went over to Shibuya for a delicious sushi lunch at an interesting shopping center called Shibuya Parco. The upper floors of this mall remind me of Akihabara but without the video arcades. If you ever loved Nintendo, Pokemon, Hello Kitty, or any recently popular anime series then this is the place for you!


We've already seen some of the vinyl cafes here in Tokyo. The Japanese seem to have an affinity for vintage LPs. But apparently cassette tapes are also a thing here. This shop dealt exclusively in cassette tapes, Sony Walkman radios (Walkmen?) and old-timey (as in the 1980s) boom boxes. Rad!


We strolled one last time through Miyashita Park, a rooftop park with sand volleyball courts and nice views of the Shibuya streets below.


And we loved walking past the Shibuya Yokocho alley. Yokochos are usually a tightly packed alley of bars and casual eateries. Golden Gai in Shinjuku is a good example, and we went to one in Ebisu for beers and skewers one night that had a similar atmosphere. But unlike those locations , this spot has enough space for the bars to expand outside onto the sidewalk, making it the closest thing to a Euro-style outdoor cafe that we've seen so far.


Wow, our month in Tokyo has just flown by! We have been so fortunate to be able to take our time exploring this big city. The people have been welcoming, public transit gets you anywhere you need to go, and the food has been incredible. I could see another trip here in the future, maybe in fall for the maple leaves season ("momiji"). Until then “Mata ne”, Tokyo! See you again soon!