On Sunday morning we visited Zojoji temple. This temple complex has had many incarnations since its founding in 1393. In Edo times, this was the family temple for the Tokugawa shoguns. There are about a dozen structures, all fairly recently reconstructed except the main gate which was built in 1622 and is the only remaining temple building from the Edo era. (It is currently under restoration scaffolding so we couldn’t get any photos). There is a narrow garden (the Sentai Kosodate Jizo) on the north side of the temple that has hundreds of jizo statues dedicated to unborn children. They are watched over by a serene standing buddha statue. Typically the jizo statues are adorned with a red knitted cap, a bib, and a cape but each of these were also holding toy pinwheels that spun playfully in the fresh breeze.
Six of the fifteen Tokugawa shoguns are buried in the mausoleum at Zojoji, but not the first and most well-known one (Tokugawa Ieyasu, more on his final resting place in a future post). Originally the mausoleums were larger buildings, covered in ornate decoration. But they were mostly destroyed during WWII air raids. Archaeological excavations revealed the remains, and this memorial garden was created with traditional stone lanterns lining the walkway and individual pagoda vaults for each of the six shoguns, and also for their wives and children. Just beyond the garden you get a glimpse of the Tokyo Tower.
We walked over to the Tokyo Tower and found a fun springtime food festival going on. The fish-shaped windsocks are known as Koinobori (carp streamers). These little flags used to be exclusive to samurai households and there would be a flagpole showing a large carp streamer representing the father and then other multi-colored ones indicating how many sons were in the family that would be flown below the main one. The carp symbolizes courage and determination, qualities any good samurai warrior would hope for in his sons. The streamers became more popular in the Meiji era (1868-1912) and nowadays they are more celebratory of children in general, not just boys. You'll especially see them around Children's Day in May.
After lunch from one of the carts by Tokyo Tower, we wandered through the Roppongi area and stumbled upon the Tokyo Midtown Sake Fest and the Sakura festival happening at Hinokicho Park. We accidentally got in line at the Ritz Carlton hotel's outdoor popup bar for the world's most expensive pink gin & tonics. Pricey but worth it!
There was a pedestrian overpass that looked out over a fantastic view of the tree-lined avenue. The bridge was a bit over-crowded, but Tokyo has cleverly stationed crowd control police at these kinds of popular viewing spots. It's usually two or more policemen who will be constantly warning people in a monotone to not block traffic or the flow of pedestrians. I don't understand the steady stream of warnings they are mumbling but I do understand the very polite "o kudasai!" at the end of each phrase which basically means "please do what I say!".
After our ritzy g&t's we took the metro a few stops to the quiet neighborhood of Akasaka (not to be confused with the historic and busier Asakusa which is where Senso-ji temple is located). Here in Akasaka we wanted to see the Hie Shrine. This shinto shrine was important in both Edo and Meiji times, and it continues to host one of the big Japanese annual festivals each year in June - the Sanno Matsuri. The temple is also famous for its Sanno Otokozaka entrance -- a stairway lined with a tunnel of red torii gates. The ascending path marks the transition from the human world to the sacred one.
On Monday morning we went to the Imperial Palace to see the gardens without bothering to check the opening hours. Big mistake! Of course they were closed on Mondays. This is the second trip where I have forgotten to check the hours of the Imperial gardens and missed seeing them! And once again we ended up walking all the way around the palace (about three miles!) just to get where we wanted to go next. Maybe I'll learn my lesson for next time, we'll see!
Just to the west of the palace is Chidori-ga-fuchi boat park. The park has 170 cherry trees and they were all in bloom. The line to rent boats was super long by the time we got there so we just observed and enjoyed the views of boats in the moat under pink clouds of cherry blossoms.
Since our garden and rowboat plans were a bust, we added in a side trip up to Tokyo Dome area because it’s supposed to rain the next couple of days. The 55,000-seat Tokyo Dome is home to the Yomiuri Giants and also features the Japanese Baseball Hall of Fame. It's nicknamed the "Big Egg" because of the dome shape.
The amusement and mall complex built all around the stadium is called Tokyo Dome City. There are rides including a rollercoaster and a ferris wheel (note that it doesn't have any spokes - I'd never seen one like it before).
This is pretty much peak cherry blossom time so we took advantage of the nice evening and went to the Meguro river. The illuminated trees are so gorgeous under the sky at dusk.
It was crowded despite being a Monday night. I can only imagine what a weekend would be like here. Food vendors set up stalls in a few areas alongside the canal (I know, I know, it's a river but it does remind me of the canals in Phoenix) and many of them offered champagne and strawberries.
We found a small park near the Naka Meguro train station that was a bit less crowded and enjoyed the soft glow of the lights in the trees.
Here’s one more view from above, near the station.
On Tuesday it rained hard all day but Wednesday morning there was a brief reprieve so we went to Ueno park again, arriving in time for lunch and a drink. Kevin is holding a skewer of Dango, which are chewy dumplings made from glutinous rice flour. They can be served plain or with soy sauce or sweet miso.
It was a fun atmosphere, lots of people enjoying the high-energy pop music and clapping along.
Ueno park was one of Japan's first public parks and in addition to the park space, there's a couple of great museums and even a zoo. We had strategically chosen this park for today's activities, so that we could be outside while it wasn't raining, but quickly find some shelter once the deluge began.
Right on schedule, the rain came and we were able to duck into the National Museum of Western Art as planned. The museum is known for its excellent collection of western art but they had a special exhibit we really wanted to see -- "Hokusai: Thirty-six Views of Mount Fuji". It was a popular exhibition, made even more crowded due to the rain.
Katsushika Hokusai was a master of the Ukiyo-e woodblock painting technique. Using a series of carved woodblocks emphasizing various features of the desired illustration, the artist would apply colored inks and press each block into paper in succession, creating a finely layered and easily reproducible artwork. Hokusai's most famous work is probably "Under the Wave off Kanagawa" (often called "The Great Wave"). At first it just looks like a big crashing wave. But when you look closer you will see little details like a very tiny Mount Fuji in the background, and brave (and probably slightly terrified) fishermen clinging to the sides of their boats as they prepare to ride out the crest.
As I mentioned, "The Great Wave" has a little view of Mount Fuji and is part of Hokusai's series of prints that together is known by the very creative name of "Thirty-six Views of Mount Fuji". Although it turns out there are actually 46 views because he added some later, so that makes the series title both uncreative and inaccurate! Most of the scenes show people or landscapes with a very small, easily overlooked Mount Fuji off in the background. I think a better title would be "Colorful Scenes from Daily Life that Don't Necessarily Have Anything To Do with Mount Fuji But It Is Also There".
Hokusai worked during the late 1700s to early 1800s and probably made more than 5000 prints of each illustration in his Fuji series. But many of those impressions from the original woodblocks are lost to time. Today only about 100 of the "Great Wave" impressions exist, for example, and the earliest impressions are the most valuable. Seeing all of Hokusai's Fuji prints in one exhibition is rare because the prints are scattered worldwide and they are sensitive to light so not always able to be displayed. This exhibit is the first public showing of the private Iuchi Collection that has a complete collection of all 46 illustrations in exceptionally high quality -- we were lucky to be here to see it!
We have been doing our best to try all the great Japanese food here - sushi, ramen noodles, gyoza dumplings, soba noodles, tonkatsu pork, okyakodon, karaage chicken, udon noodles -- you name it. We've had a couple of Western meals here and there but for the most part we've been going with the "When in Rome" concept for meals here in Japan. But Kevin found this really great Mexican restaurant called Kiyas just around the corner from our apartment that had rave reviews, so we had to give it a try. I'll be honest, it was probably the most amazing Mexican food I've ever had! Might have had something to do with the fact that the taco filling was wagyu steak. Oishii! (Delicious!)